A few weeks back, I was with a friend in Oxford Comics in ATL and got some small press stuff. I was really taken by Jeffrey Brown’s ‘Feeble Attempts’ and as there are various coincidences in his path and my own I decided to write him. Not only did he write back, but agreed to do an email interview, since the podcast isn’t feasible for now. Here’s the result:

-When you were younger, what were some titles, both hero and indie/small
press that you really loved?

I started off with X-Men and every X-related comic - Wolverine, X-Force,
Excalibur, New Mutants, etc - along with a healthy dose of other Marvel
titles like The Thing, Spider-Man, G.I.Joe…from there I moved on to a lot
of the European comics coming out of Heavy Metal, especially Moebius, and it
wasn’t long after that I got started on my first alternative comics,
Eightball and Dirty Plotte.

-What was your experience like working with McSweeny’s? How were you asked?
How has it gone so far in terms of your ideal expectations?

Chris Ware edited the McSweeney’s comics issue, and so invited me to
participate. Since then I’ve had the opportunity to meet and work with some
of the people there like Eli Horowitz, Ed Park, Andrew Leland…that issue
of McSweeney’s still manages to introduce people to my work, even though
it’s been a few years, so aside from having been a fan of McSweeney’s for
the past 7 or 8 years, it’s been a good experience that continues to pay
off.

-What was it like working with TAL (This American Life)?

That was another great experience, and my first introduction to really
working with an editor. Jonathan Goldstein was the producer worked with, who
happens to be a pretty good writer himself. We spent a few months working to
translate scenes from ‘Clumsy’ into prose that would read well on the radio.
It was actually a good way to somewhat deconstruct my writing style.

-In “Feeble Attempts” you reference working in a video store for a while.
Any other shlep jobs you’ve had to endure and would care to comment on?

I’ve had three jobs basically: a paper route in high school, working for
Barnes&Noble since I came to Chicago(managing the music department for about
five of those years), and in between I worked for the Wooden Shoe Factory &
Holland Bowl Mill in Holland, Michigan. My job there was to run the gift
shop while spending most of my time decorating Dutch wooden shoes and wooden
salad bowls, woodbruning windmills onto them and painting tulips on the
toes.

-Are you now able to maintain your lifestyle entirely on the fruits of your
own creative labor? If so, I think that’s completely amazing! If not, how
far are you from this?

In the past year or so I’ve made the transition to making my living from the
books. I guess it helps that I’ve got so many out…

-What was it like to come to Portland and do a reading for Powell’s? Other
impressions of Portland?

I actually did the reading for the Powell’s location here in Chicago, which
was a fun time actually, since I ended up improvising that after my original
plan to read something else got sidetracked by equipment problems. I did
sign at a store called Counter Media in Portland, and that was the last time
I’ve done a poetry reading. I had a good time in Portland, very laid back
and lots of nice people.

-Who do you think are some of the hottest indie comic makers today?

Anders Nilsen, Paul Hornschemeier, Gabrielle Bell, Kevin Huizenga are the
four that come to mind immediately, although there’s plenty more who maybe
aren’t as well known who are poised to make the move to the list, like Dan
Zettwoch, Dash Shaw, John Pham…

-Other than “Star Wars”, what are some films that turned you on?

David Lynch’s ‘Dune,’ everything from Terry Gilliam, ‘Evil Dead’, ‘Bottle
Rocket’…lately Michel Gondry’s films are among my favorites.

-What music are you currently loving? What is some music you’ve loved for a
long time, and maybe some stuff from your past that has fallen by the side?

Currently the new albums from Metric, Andrew Bird, Lavender Diamond,
Polyphonic Spree…old favorites would be Microphones(now called Mount
Eerie) and Neutral Milk Hotel. Fallen by the wayside would have to be
Fugazi, the one band from the distant past that made it on to my ipod if not
into heavy rotation.

-How did you get hooked up with Top Shelf, and what has been your experience
there?

Top Shelf initially passed on publishing ‘Clumsy’ but offered to distribute
for me. The book started selling too well and I didn’t have enough copies
left to meet demand, so Top Shelf took over publishing my books altogether
at that point. I’ve been pretty happy with Top Shelf…there’s been a couple
of times I’ve gotten a little upset with this or that, but in the end
they’ve really supported me and helped push my books a ton, leading back to
the ‘maintaining my lifestyle on the fruits of my labor’ issue…

Here’s a link to some other Jeffrey info and the Top Shelf site.