Conan (1982) vs. Conan (2011)
*spoilers herein*
So let me begin my admiting my bias and sharing a story that has amused parts of my family for decades. I am solidly Gen X, and in 1982, when I as 11 years old, with my Dad and little sister, then 6, on one of the weekends he had custody by the divorce decree, killing time as we often did in a movie cineplex, we slipped into a screening of the original Conan. It had already started, the scene where Conan’s mom is decapitated. And we only made it as far as when, as a grown barbarian he meets the woman who is to turn into a lycanthrope during their intercourse, when my sister piped up, audible throughout the mostly empty theater, “Dad, we aren’t allowed to see full frontal nudity!”. Classic hilarity. Soon after of course I saw the entire thing, and would say over the years I have done so at least a dozen times. Friends and I at various times have described it as pehaps the the ultimate fantasy film. For those too young to remember, let me point out there were many in that era, some, like Beast Master, blantantly trying to cash in on Conan’s success, others from Krull, Dragonslayer, Excalibur, and LadyHawke taking things in other directions. So one must ask why one would want to fuck with a classic… But alas, we live
in an era of remakes. And after James Bond, Batman, Star Trek etc. I guess Conan the Barabrian was about due. And it doesn’t completely fail, but there are a few points I must harp on.
Schwarzenegger vs Jason Mamoa
At first look at least, the new guy measures up. I’m no huge Arnold fan, despite seeing him time and again in classic roles of my adolescence. But I would argue he was BORN to play Conan. His Austrian accent adds to the plausibility of his barbarism, as does the stoicism that might be the reult of inferior acting ability. It’s not completely Mamoa’s fault: the writers gyped him trying to add romantic dimensions to the character. After some inital cliche chauvanism, he has a tender “make love” scene with the heroine. Barbarians don’t make love: they fuck. True, old Conan had real emotion going for his thief woman, but only because she was so outlaw, 3/4 masculine and still hot. A barbarian knows when he wants something, and will definitly open case after case of vengence when it is taken from him. But he lacks a certain emotional vocabulary. If he is tender it is almost accidental because has has unintentionally crushed fragile things in his past. Hell, Momoa is a better barbarian in Game of Thrones, where all he does is glower, kill, eat and butt fuck! (Ok so it was most likely only “doggie style”, but I’m taking license for the sake of a comedic line.)
The soundtrack is complete shit, I assume Tyler Bates is a hack, though he did do Matt Dillion’s City of Ghosts which I think is underrated. One cliche “action movie” melody and musical attack after another. You can hear a sample from Basil Poledouris’ superior soundtrack here.
Stephen Lang is completey played out as a villian. The scenes of his scrawny frame fighting Conan without the use of magic or minons are absurd. That having been said – the mask of evil power as a device was superior to the James Earl Jones in a Betty Page mullet snake cult motif. And I liked the idea of the wanna be incestuous witch daughter character, and Rose McGowan seemed to be having fun, though by the end she came up short. The Freddy Cruger nails were just stupid.
What’s with Papa Smurf on the hookah lording over the Tai Chi madiens? He added nothing. Nor did Conan’s black pirate buddy. The character comes off as token pandering. And while I’m on that – there is nothing essentially wrong with Conan doing time on a pirate ship, but the way they did it just seemed like the writers going “Ok, we need a little Pirates of the Carribean vibe here”. As did the fight in the court yard feel “we need a little Prince of Persia/Scorpion King vibe here.”
Also, the only time magic is used. The theif buddy is also a throw away. A quasi-middle eastern guy with a ring of skeleton keys, nothing plausible about him as a theif.
AND WHERE IS CROM? You cannot have Elric without Arioch, and you cannot have Conan without his “God by default” Crom. Conan’s tribe is described as specifically atheistic. Perhaps he mutters “Crom” a few times in moments of surprise, but there is nothing of his shaky faith in the war god who mostly delivers for him.
The sets started out Ok, but eventually had to do the LOLR CG fest, the most absurd being the skull mountain, or I should say the crumbling of the skull mountain as they ride away, straight out of King Kong. Have some rocks fall maybe, not the entire thing crumble.
I don’t want to hate on Ron Pearlman, who does as best he can as Conan’s father, but since when does Conan have a father? I see him as the child of rape, or maybe an absent father off fighting with the horde and ghost writing half-assed lyrics for Robert Plant. Conan’s mother dying here, right at the beginning, and his ersatz cesarian birth are laughable. I’m not sure how Robert E. Howard laid out Conan’s father originally, but see now from IMDB, ’82 Conan did have a dad – but I didn’t find him memorable.
Evil Henchmen
And there are many here. “No nose” is fairly original, as is his demise. But none of the henchmen carry the heft of “Molly Hatchet” and the other dude from the original. The one guy, far too orchish for my tastes, with the face tattoos being sent back as a message on a giant boulder which lands perfectly in the middle of giant ship which is inexplicably being hauled everywhere is cartoonish. Thank Crom they didn’t get too “Burning Man” with the costuming which I could have seen happening. I didn’t appreciate the snarling snow Mohicans in the beginning either, though the concept of the race around the mountain with the eggs was a nice touch. I thought it would have been more bad ass if Conan had showed up with the three heads but had acted penitant because his egg had broken, truely feeling his father might think he didn’t measure up.
What else did this version get right? There was a respectible amount of breast footage (lots of eastern europeans if you look it up…), essential I feel for the genre, though somehow it could have been sexier. And despite my earlier complaints about the scene, I did appreciate seeing Rachel Nichols’, or her body double’s. It’s not that the film is a complete failure. They have to make everything so over the top for modern autistic audiences. But you should understand downtime when you’re trying to make something epic. The plot continues to move forward, but write in scenes where the characters have a chance to grow, or reveal themselves in subtle ways. Scenes for example of characters wandering around a foreign city unsure of the next step, until eventually a camel is punched in the mouth for comic relief. Or a crucifixion. In the new version, Conan rushes from “Slave Island” to “Theif City” to “Skull Mountain” and none of it is really cool, none of it has true ambience.
And more magic. When she started to turn into the dead wife they were trying to summmon, I thought “OK maybe now we’ll see something worth those absurd acrobatics on the wedged wheel we just had to endure”. But no, he falls into the lava and she’s back to normal with no ill effect. The word necromancy was absurdly overused here, with no serious extraction of essenses, animation or the canal violation of corpses I equate with a heavy term like necromany. Either only say it once, or go ahead and show, or at least infer, corpse fucking and fight it out with the censors.
There were no classic lines here. “Conan! What is best in life?” Followed by his O SO METAL answer. Here we actually have the head villian saying, “Conan, I don’t think I like you any more.”
And sadly, not knowing what the box office has taken in so far or ultimately will, I sense this film might go on record as solid for this generation. They will mock the bad Snake metamorphasis of the original and consider the battle won. But just maybe, some teenager will read these words, watch both versions again in his mature years and think “gee, that crotchity old glory days fucker was right.” Maybe not…
My parting complaint: whomever came up with that “omnipus” monster of whatever the fuck that tentecled mess was supposed to be should never be allowed to work in film again.
Comments(0)














